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The Visual Time Traveller reaches the Jesuitical age of seven

6/25/2021

 
Picture
We writers have a drug of choice: getting published.  So you’ll understand the hit I got recently seeing my concrete poem, Copernicus, published in Crossways Literary Magazine (pictured).  This one fell into a natural planetary shape not too long after the words had been written — a form of words I have uttered just about every time I present The Visual Time Traveller talk.  The poem is related to the design for 1535 – 1540, a time when both Copernicus and Andreas Vesalius, an anatomist, published their seminal works.
 
I remember when I was explaining to the designers about the difference between the Heliocentric model and the Geocentric one which the church insisted was true (the Earth being at the centre of the universe); how Copernicus was a naked eye astronomer not using lenses. The powerful lenses Galileo built to observe the moons of Jupiter (disproving Geo-centrism) were not in use until the beginning of the seventeenth century. 
 
The designers picked up on the fact that Vesalius had been performing dissections to understand human anatomy and thus they captured two concepts  — planetary orbits and an anatomical cross section of the eye — in one illustration; perhaps not realising the powerful effect they had illustrated of the eye being at the centre of the planetary orbit — that is, not Geocentric but Egocentric — thus my thoughts of individuality and existentialism when I first saw it.  We are all at the centre of our own universe. It feels as if the world revolves around us; as if the sun sets, leaves us rather than us rolling away from it; as if Helios, the sun god, rises the next morning rather than we had rolled on around to face him, once again.
 
This sort of intelligent design floods the book — a profound visual literacy. Not only did the design team realise the vision I had for a hundred designs representing 500 years of history, they elevated it to a far greater place, created a new art form.  This is my fourth baby, born in an art gallery on the 6th December in 2013, now at the Jesuitical age of seven-and-a-half. 
 
“Give me a child till he is seven years old” said St Ignatius Loyola, “and I will show you the man.” The Visual Time Traveller is coming of age, becoming a man.  Or, perhaps I should say (keeping it in the twenty-first century) a woman.

Postscript: at the top of the pages for 1540 - 1545 in The Visual Time Traveller you can read that in 1540 The Society of Jesus (Jesuits) was approved by Pope Paul III, in his bull, Regimini Militantis Ecclesiae
Picture
The Visual Time Traveller 1535-1540 copyright Alison Hackett, 21st Century Renaissance
The poem "Copernicus" was first published in Crossways Literary Magazine issue 11
A new Visual Time Traveller YouTube channel has recently been launched: 12 short videos based on an extended interview I had with Aileen O'Meara.

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    Alison Hackett — Director and founder of 21st Century Renaissance; author of The Visual Time Traveller 500 Years of History, Art and Science in 100 Unique Designs

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The Visual Time Traveller
This is a labour of love, insanity, beauty and, perhaps, an attempt to reintegrate history, art and science together again.
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  • home
  • about
    • letters >
      • 2021 to 2022
      • 2019 to 2020
      • 2018
      • 2010 to 2017
    • Newsletter
    • Poetry
    • articles >
      • Cruise ships in Dun Laoghaire harbour a Titanic mistake
      • An Irishwoman's Diary
      • On Dun Laoghaire (and walking the pier)
      • Typos
      • The Institute of Psychics?
      • The Physics PR Minefield
      • When Design Matters
  • PUBLICATIONS
    • Proposition
    • Yours etc
    • Crabbing
    • The Visual Time Traveller
    • Collectors editions
  • blog 2014-2020
  • shop
  • Blog