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Sally Rooney starting conversations

7/27/2022

 
Last October Sally Rooney decided not to give the rights to an Israeli publisher, Modan, to translate her latest book into Hebrew and publish it in Israel.  Admirable of her to take a stand when we learn that Modan, a large Hebrew-language press, has ties to the Israel military. So far, so political.  And the Boycotts Divestments and Sanctions movement must have been thrilled — global attention for their cause. 

What happened next? Did a Palestinian publisher approach Faber, to buy the rights to translate  Beautiful world where are you into both Palestinian, Arabic and Hebrew and publish it in Israel and the occupied territories?  Let’s hope Faber/Rooney offer a small Palestinian press a good deal.

It will be a shame if those people who speak and read primarily in Hebrew or Palestinian Arabic don’t have an opportunity to reflect on her writing: the ‘polemic chapters’ presented in the form of Marxist and modern-day-gig-economy debates narrated in long emails between the main protagonist in the novel (a famous author) and her friend (a literary editor); the dialogue, artfully and seamlessly placed within paragraphs, so you often don’t realise you are reading a conversation buried within the characters’ unarticulated inner feelings. No need for Rooney to use the crudity of quotation marks and pressing a line-return TO LET YOU KNOW THE OTHER CHARACTER IS SPEAKING.  

And the third element, her closing out of chapters with poetic notes.  Small flourishes revealing the writer she is; bringing us stillness, the moonlight, the day sighing, the universe against which her imagined world rolls by.
​
It will be a sad thing if the Israeli and Palestinian people don’t have the opportunity, while living in their own territories, to buy and read this novel which has no questions to ask itself, just a desire to start a conversation. 

#SallyRooney #publishing #Israel #Palestine #politics #writing #literature

This blog is another 'unpublished' letter, first written in October 2021.
​
© Alison Hackett, 27 July 2022

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    Alison Hackett — Director and founder of 21st Century Renaissance; author of The Visual Time Traveller 500 Years of History, Art and Science in 100 Unique Designs

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The Visual Time Traveller
This is a labour of love, insanity, beauty and, perhaps, an attempt to reintegrate history, art and science together again.
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  • home
  • about
    • blog 2014-2020 >
      • I first met Arnie
      • Do you ever get the feeling
      • Sisyphus May
      • Brexit bulldog
      • revision notes the 8th amendment
      • one billboard outside dublin
      • save the 8th or save ireland
      • Letter from Mysuru
      • Letter from India i
      • raining on our parade
      • twitter harakiri
      • am I a writer?
      • come on the Guardian
      • I hope the BBC was reading too
      • brace yourselves gentlemen
      • time to air a dirty little Irish secret
      • Let them eat brioche
      • id ego superego in a venn diagram
      • The physics chanteuse
      • The Untouchables (with apologies to Eisenstein)
      • Depressed. I think my new boyfriend is a chatbot.
      • Election grief
      • Help I'm on too many platforms
      • The questions I would have asked at the leaders' debate
      • a selection from one of my platforms
      • Shhh! It's the Angelas
      • Politics 21st Century
      • The Fumbally Fairy Story
      • My alternative vision at the save our seafront meeting
      • A fond memory of the ferry to Dun Laoghaire
      • the second book deal
      • redacted letters in an artwork
      • the unprinted letters part i
      • a photo blog from Cefalu
      • My 2116 vision (including women in power)
      • Rear Admiral Lunchalot (guest blog)
      • Dun Laoghaire and the cruise ships >
        • An American visitor's thoughts
      • Eclipsed
      • 50 ways to please your mother
      • To tweet or not to tweet
      • Protestant angst
      • The New TD
      • Having the Twitters
      • The democracy box
      • LGBTH?
      • The book signing
      • Dining out on Hong Kong
      • The British Isles happy family
      • Dear UK, Love from Ireland
      • Art that almost moved me to tears
      • Your smart big brother
      • The card that Sappho was dealt
      • it's a relative question
      • My liver belongs to you
      • a melting pot of Irishness (in our new passport)
      • The Dialogue, with apologies to Galileo
      • Sartorial surveillance by An Garda
    • letters >
      • 2026
      • 2021 to 2022
      • 2019 to 2020
      • 2018
      • 2010 to 2017
    • Poetry >
      • Cocooned
      • Fragile
      • Fisherman_Kerala
      • The last two pots of marmalade
      • Untitled
      • fledgling
      • cast adrift
      • Poets and their editors down in the school yard
      • I am Eire
      • Aisling
      • Your children are not your children
      • Where you lie
      • The family that...
      • Two doves
      • They told me Heraclitus they told me you were dead
      • Gone
      • Terms & Conditions
      • Crabbing
      • Cold day
      • Gift
      • When I am dead my dearest
    • articles >
      • Cruise ships in Dun Laoghaire harbour a Titanic mistake
      • An Irishwoman's Diary
      • On Dun Laoghaire (and walking the pier)
      • Typos
      • The Institute of Psychics?
      • The Physics PR Minefield
      • When Design Matters
  • shop